{"product_id":"191400680814","title":"Dagmar Zuniga \"in filth your mystery is kingdom \/ far smile peasant in yellow music\" LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-lg-12 pt-2\"\u003e\n\u003cdiv class=\"pt-2\"\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-xs-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv class=\"col-md-12 col-sm-12 col-12\" id=\"aec-product-description\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\u003cmain\u003e\n\u003cdiv id=\"page\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv id=\"content\" class=\"col-sm-12\"\u003e\n\u003cdiv class=\"widget\"\u003e\n\u003cdiv id=\"content\" class=\"onecolumn itempage\"\u003e\n\u003carticle class=\"col-xs-12\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"trackplayer_html\"\u003e\n\u003cdiv class=\"sampleplayer\"\u003e\n\u003cdiv class=\"buy_digital\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-md-12 col-sm-12 col-12\" id=\"aec-product-description\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-12 col-sm-12 col-12\" id=\"aec-product-description\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cdiv id=\"aec-product-description\" class=\"col-md-12 col-sm-12 col-12\"\u003e\n\u003cdiv class=\"aec-desc-review collapse\"\u003e\n\u003cp\u003eNicaraguan-American artist \u003cstrong\u003eDagmar Zuniga \u003c\/strong\u003emakes music that feels both intimate and expansive: songs drift like disrupted signals, carried by harmony, tape hiss, and a strong sense of touch. Her debut solo album \u003cstrong\u003e\u003cem\u003ein filth your mystery is kingdom \/ far smile peasant in yellow music\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e— written and recorded in New York, Norway, and Athens, Georgia over a period of five years on her longtime companion, the Tascam 424 — was uploaded to Bandcamp and YouTube in January 2025, quickly garnering over two hundred thousand views and the attention of artists such as Mount Eerie, who invited her to tour with them that summer. This year, what was once a jewel of tapped-in algorithms and message boards will meet the world at large, with \u003cstrong\u003e\u003cem\u003ein filth\u003c\/em\u003e\u003c\/strong\u003e arriving as a physical and widespread digital release on \u003cstrong\u003eApril 10\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evia\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAD 93\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ein filth\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an atmospheric, devotional collage where one voice multiplies into a chorus of selves, sometimes delicate, sometimes severe; an effect created by Zuniga’s masterful layering of texture and complex harmonies. Synths glitter out like spears of sunlight from beneath clouds of moody, time-distorted guitars, and songs spin about themselves like tightly-wound music boxes, making use of a kind of hypnotic repetition, before melting apart into their components or slipping into the following track.\u003c\/p\u003e\n\u003cp\u003eZuniga began recording to tape as a teenager, drawn to the physicality of the medium — how a tape recording is fragile, mutable, and alive. Though her ethereal sound may draw easy comparisons to other female pioneers of psychedelic folk, she is influenced just as much by the darker sounds of Syd Barrett and The Fall. Like Barrett, Zuniga is a painter, and she is interested not only in recording music but in creating a full, self-contained artistic universe: she creates her own artwork, merchandise, music videos, and bootleg tapes of new and unfinished music that she exclusively sells at live shows (\u003cem\u003e“If something is\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003enot material, it does not exist,\u003c\/em\u003e\u003cem\u003e”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshe insists.). Her world has not gone unvisited, garnering her a monthly show on \u003cstrong\u003eNTS Radio\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e‘World of Pain’, as well as a forthcoming appearance at \u003cstrong\u003eRewire Festival\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein April 2026.\u003c\/p\u003e\n\u003cp\u003eThough Zuniga’s work explores themes of solitude and suffering, the suffering in her songs is not borrowed or displayed; it is held, then opened outward through empathy — an exacting practice of attention that insists on shared ground. Solitude, in her work, is not withdrawal but a starting point for connection. Likewise, over time, her recording process has become increasingly communal, with \u003cstrong\u003e\u003cem\u003ein filth\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003efeaturing musicians \u003cstrong\u003eHayes Hoey\u003c\/strong\u003e, \u003cstrong\u003eAustyn Wohlers \u003c\/strong\u003e(\u003cstrong\u003eTomato Flower\u003c\/strong\u003e), and \u003cstrong\u003eZach Phillips\u003c\/strong\u003e (\u003cstrong\u003eFievel Is\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eGlauque\u003c\/strong\u003e). Newer recordings widen the circle even more. For Zuniga, collaboration is a way to \u003cem\u003e“find a\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eplace between worlds,\u003c\/em\u003e\u003cem\u003e”\u003c\/em\u003e echoing Badiou’s idea of love as a vision refracted through the prism of\u003c\/p\u003e\n\u003cp\u003edifference. Meaning emerges there — in the space between voices, between artist and listener.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“I hope\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003emy music helps people work through difficult experiences,\u003c\/em\u003e\u003cem\u003e”\u003c\/em\u003e she says.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“The same way it helps me.\u003c\/em\u003e\u003cem\u003e”\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eTrack List:\u003c\/p\u003e\n\u003cp\u003e1 Odyssey in Retrograde\u003cbr\u003e2 The Portal\u003cbr\u003e3 Symmetry of the Hourglass\u003cbr\u003e4 Echoes and Dust\u003cbr\u003e5 The Clock Queen\u003cbr\u003e6 Proxima Centuari\u003cbr\u003e7 The Spiral Eye\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"pt-2\"\u003estreet date 4\/10\/26\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44993307738312,"sku":"191400680814","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0628\/1337\/2616\/files\/89_6262a83e-b9f8-44c4-a8db-96270e505345.jpg?v=1772652067","url":"https:\/\/1234gorecords.shop\/products\/191400680814","provider":"1-2-3-4 Go! 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